By Lewis Foreman Day

It is a iteration Of the unique 1910 version.

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186. — By Selwyn Image. An penmanship, given as an example of a modern handwriting which may fairly be described modern minuscule alphabet example of his ordinary as caligraphy. 187. modern capitals adapted for engraving. 188. modern capitals adapted for execution with single strokes 189. modern French type of the pen. L. F. D. L. F. D. — Designed France for book-work. An by Grasset, and used English version is in in use for advertisements, etc. 190. MODERN VERSION OF EARLY GOTHIC CAPITALS engraving on metal.

It was worked by Mary Kidd of S. Mary's Embroidery School, Wantage. silk 199. modern capitals embossed on 200. embroidered alphabet, founded upon some thin sheet-metal, the form and fashion of the letters suggested by the ease with which they could be beaten up. L. F. D. —The old English sampler letters in an peculiar angularity of the forms follows naturally from working on the lines given by the mesh of the canvas, and is characteristic of a certain class of very simple needlework. L. F. D. ) 201.

L. F. D. — Designed France for book-work. An by Grasset, and used English version is in in use for advertisements, etc. 190. MODERN VERSION OF EARLY GOTHIC CAPITALS engraving on metal. — Adapted for L. F. D. — 191. modern capitals 192. modern variation upon roman capitals — Blunt work. L. F. D. ) 193. MODERN VERSION OF EARLY SPANISH LETTERS— Adapted Twisted, blunt brushwork. Could easily be worked in "couched" cord. L. F. D. ) cutting with a single plough of the graver. 194. modern capitals, shaped with brush- for L.

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Alphabets old and new by Lewis Foreman Day
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