By Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans

Unlike one another, quantity five is a sociological portrait of commonly little humans of their tragic and comedian efforts to accomplish reputation at the London degree throughout the recovery and eighteenth century, while quantity 6 is dom­inated by means of the glamour of David Gar­rick, Nell Gwyn, and Joseph Grimaldi, the prestigious clown. a few 250 por­traits individualize the good and small of the theatres of London.

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Additional info for A Biographical Dictionary of Actors, Volume 5, Eagan to Garrett: Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800

Sample text

Doane described Eason as a bassprobably a basso, though perhaps he was a player on the bass viol. Eastland, Mrs [fl. 16611671], actress. The Lord Chamberlain's accounts show Mrs Eastland as a member of the King's Page 2 Company at the Vere Street Theatre on 27 March 1661, so it is probable that the prompter John Downes was correct in saying she was one of the original seven actresses in the company. The Eastland who had a role in The Royal King about 166162 was probably the actress rather than Edward Eastland, whose career was restricted to the 1670s but who may have been related to Mrs Eastland.

The names of Eccles's daughters and those of his brothers Thomas and Henry would suggest that the following entries in the parish registers of St. Giles in the Fields concerned the musician: Henry-Thomas, son of John Eccles, gentleman, and his wife Ann, was baptized on 2 September 1702; their daughter Bridget was baptized on 29 August 1703; and their daughter Eleanor was baptized on 30 December 1705. The daughters Ann and Mary, named in Eccles's will, have not been traced. John Eccles's reputation rests not on his performing, of which we know almost nothing, but on his work as one of the most facile and melodic composers of his day.

Mr Edwards sang in most of the oratorio offerings at Drury Lane in February and March 1777, and during the 177778 season he was one of the singers in Macbeth. On 24 March 1778 he appeared as Tyrrell in Richard III at the Haymarket Theatre, and, significantly, on 31 March he was dropped from the list of singers in Macbeth at Drury Lane. He was back at Drury Lane for the 177879 season, apparently, for the accounts show a payment to him on 6 October 1778 of £17 4s. for 12 weeks' work, but his name did not appear in any bills during the season (perhaps the payment was for appearances the previous season).

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A Biographical Dictionary of Actors, Volume 5, Eagan to by Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans
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